(Ryan Reynolds, kneeling at the front of the stage and
Steven Page standing behind at the Shubert Theatre in Boston following the screening of John Candy: I Like Me on October 14, 2025)
More than 30 years after his death, John Candy remains a larger-than-life figure. Whether viewing him on SCTV, in films like Uncle Buck or even on the sidelines of a football field when he co-owned the Toronto Argonauts, you remembered him and he left you with a smile.
On Tuesday evening, I ventured to the Shubert Theatre to take in a screening of the documentary John Candy: I Like Me. Following the film would be a discussion led by fellow Canadian actor Ryan Reynolds of Deadpool fame. Reynolds is among the co-producers of the documentary which was directed by Colin Hanks.
At Reynolds request there would be no cell phone pictures or video permitted until the conclusion of the show. Unfortunately, security personnel took things far too seriously. An audience member right directly behind me said, "This gentleman wants to talk to you." It was security guard who told me, "Put that away now!!!"
I complied having no desire to escalate the situation. Mind you, however, I was just looking at my phone. At no point did I take any pictures. Nevertheless, it made Dan Pasternack's plea to put away our phones so we could experience "joyousness and togetherness" not resonate with me. I did not feel much in the way of joyousness and frankly far too much togetherness. I was sandwiched between two extremely large people with very little leg room. My knees were burning.
The documentary itself was fine although at times it was hard to hear the dialogue. John Candy is a worthy subject and the insights of his widow Rosemary, children Chris and Jennifer along with contemporaries and friends like Tom Hanks, Dan Aykroyd, Bill Murray, Eugene Levy, Dave Thomas, Macaulay Culkin, Catherine O'Hara and Andrea Martin were well worth hearing. It was also nice seeing excerpts from old SCTV skits and having a bit of a laugh.
Following the screening, Pasternak introduced journalist Paul Myers who is the author of the book John Candy: A Life in Comedy before bringing out Reynolds and later former Barenaked Ladies lead singer Steven Page. This was the first time I had seen Page onstage since my freshman year at Carleton University in the fall of 1991 when they were the opening act for the Skydiggers during Frosh Week. But that is another story for another time.
It should be noted that Myers is the older brother of comedian Mike Myers. He relayed a story about his brother meeting Candy in Toronto when he was in early teens. Myers asked Candy how he could make it in comedy and Candy suggested he sign up for improv courses at Second City noting that while there was no guarantee of fame or fortune, he could end up doing something he loved. The elder Myers said that Candy could have easily told him he had no chance to make it but ended up instead giving some practical advice.
Reynolds, on the other hand, mostly talked about himself and even showed a clip from Deadpool & Wolverine. What any of this had to do with John Candy was unclear. Pasternak tried to steer Reynolds back to Candy several times, but he just kept talking about himself.
The only substantive comment Reynolds made about the film was to claim, "This film isn't about death. It is about a life lived." While John Candy did live a full life, death was an underlying theme of the film as time and again, the formative event of his life was the death of his father on his 5th birthday. Candy's friends and contemporaries mentioned Candy was trying to do everything because he was living on borrowed time.
Steven Page's contribution to the evening was to sing "What a Good Boy" which was referenced during the film before ending the proceedings with "If I Had a Million Dollars." At which point, we were allowed to use our phones.
John Candy always struck me as a mensch, and I just don't get that impression from Ryan Reynolds. Yes, I am aware that
the net proceeds of the performance go to St. Jude's Hospital. But what role Reynolds played in that if any is unclear. Ryan Reynolds comes across as a guy who says, 'Look at me. I'm famous.' He is not someone I would approach if I were bleeding to death. John Candy, on the other hand, was an everyman who was accessible to all perhaps to a fault.
My favorite John Candy story came from when he starred in
Only the Lonely with Ally Sheedy, Anthony Quinn and Maureen O'Hara who came out of a 20-year retirement to work on the film. O'Hara was given a small trailer which Candy thought to be insufficient for someone her stature. Candy lobbied the film's producers to give O'Hara a larger trailer. They refused. So, he gave O'Hara his trailer. It was only then that the producers spent additional money for another trailer for him. Unfortunately, this story was not mentioned in the documentary though there was a brief excerpt of Candy and O'Hara appearing on
The Tonight Show with Johnny Carson.
John Candy and Ryan Reynolds are both Canadian. The similarities end there.
I think I would have enjoyed John Candy: I Like Me more without the hoopla and in a more intimate setting like the Brattle Theatre. I like John Candy, but I just didn't enjoy the experience.