I have been on something of a Blood, Sweat & Tears kick since the passing of its former lead singer, David Clayton-Thomas, earlier this week.
Truth be told, though, I have been listening to Blood, Sweat & Tears for as long as I can remember. The group's eponymous second album which represented Clayton-Thomas' debut with the group is among the first albums I ever remember listening to as a child. Dad told me how I would bounce around the room when I heard "Smiling Phases". That album would spawn three Top 5 singles - "You've Made Me So Very Happy", "Spinning Wheel" along with "And When I Die" and would best The Beatles' "Abbey Road" to win the Grammy for Album of the Year for producer James William Guercio who would also produce the likes of The Buckinghams, Chicago and Moondog.
Yet I needed something more by which to remember Clayton-Thomas. When I saw that the 2023 documentary What the Hell Happened to Blood, Sweat & Tears? was available for viewing on YouTube, I leapt at the chance to see it. Directed by John Scheinfeld, What the Hell Happened to Blood, Sweat & Tears? tells the story of their 1970 tour of the former Yugoslavia, Romania and Poland and how it would lead to the group's decline. I only wish I had saw it in a movie theatre to get the full glory of the sights and sounds.
When Blood, Sweat & Tears played in the Soviet bloc, they were the first rock 'n roll group to play behind the Iron Curtain. However, this was a tour that Blood, Sweat & Tears had no desire to embark upon but did so under duress. The reason for this duress was that Clayton-Thomas had been arrested for an alleged assault and faced revocation of his Green Card as he was a British born Canadian citizen. To make matters worse, Clayton-Thomas had a criminal record as a juvenile growing up in Toronto.
In an effort to prevent Clayton-Thomas' deportation, their manager Larry Goldblatt made a secret deal with the U.S. State Department. In exchange for Clayton-Thomas to remain in the U.S. they would partake in this cultural exchange. Less than a year earlier, President Nixon had visited Romanian dictator Nicolae Ceaușescu in an effort to promote detente. However, several of the group's members particularly guitarist and occasional lead singer Steve Katz were strong critics of not only the Nixon Administration but their escalation of the Vietnam War and thus felt uneasy about their involvement. But for the sake of Clayton-Thomas they reluctantly went along with it.
For his part, Clayton-Thomas made a point of saying he was not as political as Katz but did share his opposition to the Vietnam War. While not mentioned in the film, it is well worth noting that before Clayton-Thomas joined Blood, Sweat & Tears, he had fronted a Toronto-based group called The Bossmen which had a minor Canadian hit with a song called "Brainwashed" which was an anti-war song with jazz undertones. The song featured Clayton-Thomas singing "damn" which was bleeped out for radio airplay. That was heady stuff in 1966.
During their time in the Eastern bloc, the band members were followed not so inconspicuously by local spies while having their rooms trashed by some other not so conspicuous local spies. Accompanying Blood, Sweat & Tears on the tour was a film crew led by first-time director Donn Cambern who had recently completed work as a film editor on Easy Rider. Cambern and his crew would capture the sights & sounds of Romanians loving the music, chanting "U.S.A." and Ceaușescu's goons turning their dogs on people who wanted nothing more than peace, fun and music.
Cambern's crew would also capture representatives of the State Department pressuring the group to emphasize jazz over rock, tone down their gestures and to dump long-haired members of their road crew. To their credit, Blood, Sweat & Tears ignored their edicts. Unfortunately, this was not what either the Nixon Administration or the Ceaușescu regime wanted to see. So, the original documentary never saw the light of day. While Cambern had a successful career as a film editor and would earn an Oscar nomination for editing the 1984 film Romancing the Stone, he would never direct another film. Sadly, Cambern died a few months before the release of the documentary, and it is dedicated to his memory.
When Blood, Sweat & Tears returned to the U.S., the group was not treated as cultural Ambassadors for peace but as tools of the Nixon Administration as Clayton-Thomas, Katz and drummer Bobby Colomby fielded hostile questions during a press conference. The group still opposed Nixon and the Vietnam War but had a newfound appreciation for American freedom after being exposed to the repressive nature of Eastern bloc Communism.
Then as now, there was little appreciation for nuance. The group would subsequently face a slew of negative articles in the press and would become the bête noire of the New Left culminated by a protest led by Abbie Hoffman outside a Madison Square Garden concert dubbed Blood, Sweat & Bullshit! During the performance, an audience member hurled horseshit on stage striking Colomby's drum kit. Meanwhile, conservatives assailed the Nixon Administration for subsidizing supposedly long-haired radicals to a Communist country. This was a no-win situation for Blood, Sweat & Tears. Clayton-Thomas expressed sadness for putting the group into said no-win situation.
What the Hell Happened to Blood, Sweat & Tears? essentially argues that this tour represented the end of the group. I think it would be more accurate to say that it was the beginning of the end. At the time of the tour, Blood, Sweat & Tears had just released Blood, Sweat & Tears 3. While not as successful as their previous album, it did yield two Top 40 hits - "Hi-De-Ho" and "Lucretia MacEvil" both of which were played during the Eastern Bloc tour. The following year, the group would release B, S, & T 4. This would yield "Go Down, Gamblin'" which would prove to be their final Top 40 hit. Another single "Lisa, Listen to Me" would peak at #73 on the U.S. Billboard charts but would get more airplay in Canada.
Clayton-Thomas along with founding members Dick Halligan and Fred Lipsius would depart the group after B, S & T 4. By 1975, Clayton-Thomas would return to the group but by this time Blood, Sweat & Tears would be for all intents and purposes a nostalgia act which remains the case to this day under the direction of Colomby. There have been over 150 members of Blood, Sweat & Tears.
What the Hell Happened to Blood, Sweat & Tears? gives the most important members of the band the opportunity to share their firsthand experiences. Along with Clayton-Thomas, Katz and Colomby, Jim Fielder and Fred Lipsius also share their insights. We also hear from Clive Davis who signed the group to Columbia Records back in 1967. Davis passed away two days before Clayton-Thomas. Perhaps the most joyful aspect of the film was hearing David Clayton-Thomas sing songs originally sung by Al Kooper on their debut album Child is the Father to the Man such as "Something Goin' On", "I Can't Quit Her" and "I Love You More Than You'll Ever Know". While I enjoy Kooper's performances, Clayton-Thomas takes those songs to places which Kooper couldn't. We get to hear Clayton-Thomas' voice at the height of its power.
If nothing else What the Hell Happened to Blood, Sweat & Tears? gives the uninitiated to see and hear how the innovators of jazz-rock got to the top of the mountain even if it also meant seeing their inevitable fall. R.I.P. David Clayton-Thomas.