For the third time in the past four days, I found myself at the Brattle Theatre.
After taking yesterday off to do some candlepin bowling in East Boston, I returned this afternoon for a double feature of The Bad News Bears and The Royal Tenenbaums. In 2026, these films are commemorating their 50th and 25th anniversaries, respectively.
On the surface, the two films don't have a great deal in common. But I do think a thread can be found between Walter Matthau's Morris Buttermaker and Gene Hackman's Royal Tenenbaum. Both men are manipulative louses who are on spectrum between a son of a bitch and an asshole. And yet within this spectrum both Buttermaker and Tenenbaum are devilishly charming and you cannot help but liking and wanting to give them yet another chance because most of the people around them aren't that much better. Of course, much of this is a testament to the acting ability of both Matthau and Hackman.
As with Taxi Driver, I have seen both of these films on TV but never on the big screen until today.
The Bad News Bears (1976)
It is astonishing to consider that most of the child actors in this film - Tatum O'Neal, Jackie Earle Haley, Brandon Cruz, Alfred Lutter and Chris Barnes are in their early 60s and will be eligible for Social Security and Medicare in the not-too-distant future.
But on celluloid they are forever young but not so innocent. Kelly Leak (Haley) rides a motorcycle and is an aspiring loan shark, Amanda Whurlitzer (O'Neal) sees through Buttermaker's bullshit in his ultimately successful effort to recruit her as a pitcher, Tanner Boyle (Barnes) is ready to fight anyone at any time despite his diminutive stature. The sight of Buttermaker plying his young charges with beer is enough to say, "Only in the 70's."
Alas nearly all the adults in the film - Matthau, Vic Morrow and Ben Piazza are long since dead with Joyce Van Patten keeping on keeping on at the age of 92.
Somehow, I didn't know that Michael Ritchie directed this film.
Ritchie directed two of Robert Redford's films -
Downhill Racer and
The Candidate, the latter of which is among my favorite films I've ever seen. While
Downhill Racer and
The Bad News Bears are very different films, Ritchie was drawn to sports as he would later direct films such as
Semi-Tough, Wildcats, Diggstown, and
The Scout though none would be as successful as
The Bad News Bears.
Tatum O'Neal probably summed up
The Bad News Bears best
when she told Bob Costas in 2013,
"It's so funny. It's so sweet. It's sweet and, yet, it's completely wrong. It's just so wrong on so many levels."
The Royal Tenenbaums (2001)
The Royal Tenenbaums features a remarkable all-star cast. Outside of Gene Hackman, there was Anjelica Huston, Gwyneth Paltrow, Ben Stiller, Luke Wilson, Owen Wilson, Danny Glover, Bill Murray and Kumar Pallana along with narration by Alec Baldwin while being directed by Wes Anderson. It is astonishing to consider the only Oscar nomination the film received was for Best Original Screenplay which was co-written by Anderson and Owen Wilson. Julian Fellowes of Downton Abbey fame would win the statue for Gosford Park directed by Robert Altman.
The films nominated for Best Picture that year were A Beautiful Mind (winner), Gosford Park, The Lord of the Rings: The Fellowship of the Ring, Moulin Rouge! and In the Bedroom. Aside from Lord of the Rings, I don't think of any of the other films nominated has remained within the public consciousness the way The Royal Tenenbaums has over the past quarter century.
The Royal Tenenbaums has endured due to the quality of the cast, Anderson's distinct directorial style and a soundtrack of '60s/70s music from the likes of The Rolling Stones, Bob Dylan, Nick Drake, Emitt Rhodes and Nico along with incidental music from Mark Mothersbaugh of Devo fame.
Yet the foundation of the film begins and ends with Gene Hackman. His portrayal of Royal Tenenbaum is among the greatest performances of his long and storied career. But things are often seldom what they seem. After Hackman's death, Anderson painted a less than idyllic picture of Hackman. Sadly, as it turns out, Hackman did not like the role, the film and especially the lack of money he was receiving for it and things did not end on good terms with Anderson.
It can be said that sometimes when one is too close to a particular project or endeavor, it is sometimes difficult to appreciate it merits without the benefit of some distance. All the same, it is unfortunate there would be no rapprochement between Wes Anderson and Gene Hackman. Notwithstanding those strains, The Royal Tenenbaums has to be considered among the greatest films of this still young century.